Anne Dymek studied communication, film, and German literatureat the FU Berlin, Paris 1, Paris 3, and Harvard University. She holds a PhD in Film Philosophy from Université Paris 1 (2013) and has recently completed a second PhD in the Department of Germanic Languages and Literatures at Harvard University ("The Code of Phantasia: Philosophical Investigations into the Literary Imagination and its Future Forms). Anne’s research interests include theory of literature and poetry, comparative media theory, film theory, new media, and the philosophies of language and mind. She has ten years of teaching experience at the graduate and undergraduate levels in departments of philosophy, film, German, and the social sciences in Europe, the Middle East, and the United States. 

Publications

Book

• Cinéma et sémiotique: Deleuze en question. Le Bord de L’Eau Éditions, Lormont, 113 pages, 2015. (Updated English version The Immanent Image: Deleuze, Peirce, Bergson, and the Problem of Representation was submitted to the University of Minnesota Press in 2022).

Edited Volume

• Semiotics of Music / Sémiotique de la musique, Recherches Sémiotiques / Semiotic Inquiry, RS•SI, vol. 36 no. 3, 2016 & vol. 37 no. 1–2, 2017 (recte September 2018).

Refereed Journal Articles

• “Perception, Dreams, Films: Iconicity and Indexicality in Peirce’s Theory of Perception,” Recherches Sémiotiques / Semiotic Inquiry, RS•SI, Peirce and the Image, vol. 33 nos. 1–2–3, 2013 (recte 2016).
• “L’iconicité filmique: Un métalangage de la perception?,” Signata, Annales des sémiotiques, Que peut le métalangage?,Presses Universitaires de Liège, 2013.

Conference Proceedings                

• “Toucher aux limites du filmique: Images du monde visionnaire (1963)”, with Lowy, Vincent. Cahiers Louis-Lumière, no. 11, Le Cinéma face aux histoires du regard. Repenser les optiques du cinéma, 2018.
• “Excess of Emotions in Filmic Perception,” Proceedings of the 11th World Congress of the IASS / AIS, vol. 1, Traversing the Mental and the Artistic Worlds, 2014.