Ian's dissertation, An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino, has been been selected for the 2015 Northeast Modern Language Association (NeMLA) Book Award for best unpublished manuscript.
Welcome to the Department of Germanic Languages and Literatures
Initiated in 1825 and officially established in 1897, The Department of Germanic Languages and Literatures at Harvard continues to enjoy a prestigious and highly regarded reputation, offering undergraduate concentrations, secondary fields, and doctoral training in a broad variety of texts, media, and other cultural productions. Faculty share a number of intellectual engagements in both German and Scandinavian materials across the centuries, from the medieval period to the present day. Our curriculum is supplemented by cross-disciplinary interests in art history, music, and visual culture, critical theory and philosophy, the history of science, performance studies, folklore, anthropology, and ethnopoetics, taking fullest advantage of the incomparably rich and unique collections held at the Harvard Libraries, Art Museums and Film Archive.
In addition to rigorous training in theory and the interpretation of literary and cultural materials, both within and outside of the canon, graduate students are encouraged to develop individualized courses of study across the University in preparation for successful careers in teaching, research and related work. To this end, the Department consistently maintains a vibrant series of invited lectures, colloquia, conferences, and workshops. Moreover, theater productions, musical events, and informal social gatherings, including a bi-weekly Kaffeestunde, make an engaging and enriching contribution to our undergraduate concentrations and language programs.
The Use and Abuse of Cinema takes readers on a series of enthralling excursions through the fraught history of German cinema, from the Weimar and Nazi eras to the postwar and postwall epochs and into the new millennium. These journeys in time afford both rich panoramas and nuanced close-ups from a nation's production of fantasies and spectacles, traversing the different ways in which the film medium has figured in Germany, both as a site of creative and critical enterprise and a locus of destructive and regressive endeavor.
The volume includes a roundtable discussion on "Cinema and the Legacies of Critical Theory" and articles by, among others, Susan Buck-Morss, Edward Dimendberg, Mary Ann Doane, Tom Gunning, Martin Jay, Gertrud Koch, Laura Mulvey, David Rodowick, Heide Schlüpmann, and Yuri Tsivian.
Co-Edited with Pernille Hermann and Agnes S. Arnórsdóttir, the volume presents articles that deal with the vocabulary, concepts, and functions of memory in medieval Norse texts (e.g., sagas, myths, skaldic poems, laws, runic inscriptions, historiographical writings), with reference to international memory studies.